An (old) interview with Kim Thompson from "The Comics Journal"
Monday, April 30, 2012
Nipples at the Met
Nipples at the Met presents “all the nipples on view in the permanent collection at the Metropolitan Museum of Art”.
Thanks to John Martz at Drawn.
Sunday, April 29, 2012
Bruce Roberts Runner-Up #1 in Blown Cover Weekly Contest
Saturday, April 28, 2012
Friday, April 27, 2012
Thursday, April 26, 2012
Guy Delisle Interviewed in Washington City Paper
The interview with Mike Rhode:
Guy Delisle is a French-Canadian expatriate cartoonist who specializes in travelogues. He’s made books about Shenzen, China, and Pyongyang, North Korea, both of which he visited as a supervising animator. He spent a year in Burma after starting a family with an employee of the humanitarian group Doctors Without Borders.
After leaving the country, he produced Burma Chronicles, a book of vignettes about his experiences there. His latest book, Jerusalem: Chronicles From the Holy City (Drawn & Quarterly, $25), is his most ambitious so far.
In 320 pages, Delisle covers the year he spent in the Israeli capital. Delisle gets lost in the streets of the city, both on foot and in a secondhand car; meets members of the region's three major religions; and experiences “the glamorous life of a housewife.” On his travels he meets and shows his readers a variety of people including Israeli Jews in the military, Bedouins, ultra-extreme Jewish settlers, Palestinian student cartoonists, and a Christian minister (who provides him with studio space).
Unlike his earlier books, here Delisle stretches into cartoon journalism, when he’s asked to do a story on Doctors Without Borders and “what they’re doing in Hebron, a West Bank city where the settlers are known to be especially militant,” he explains.
For fans of his earlier works, Jerusalem still focuses plenty on Delisle's visits to historic and religious sites.
Wednesday, April 25, 2012
Bob Dylan bans reporters from Sao Paulo show, allows cartoonist
From The Silver Tongue by way of Mike Lynch Cartoons.
Brazil’s Folha de Sao Paulo newspaper reported Monday that Brazilian cartoonist Rafael Grampá was the only member of the media allowed to attend Bob Dylan’s Sao Paulo show last weekend.
The newspaper reported that Grampá, an award-winning Brazilian cartoonist, drew the most memorable performances of the show as the single member of the press.
The 70-year-old folk singer sang to a sold out audience in Brazil’s largest metropolis, starting off the set with the 1966 song “Leopard-Skin Pill Box Hat.”
Brazil’s Folha de Sao Paulo newspaper reported Monday that Brazilian cartoonist Rafael Grampá was the only member of the media allowed to attend Bob Dylan’s Sao Paulo show last weekend.
The newspaper reported that Grampá, an award-winning Brazilian cartoonist, drew the most memorable performances of the show as the single member of the press.
The 70-year-old folk singer sang to a sold out audience in Brazil’s largest metropolis, starting off the set with the 1966 song “Leopard-Skin Pill Box Hat.”
Monday, April 23, 2012
South African Cartoonist Zapiro On Press Freedom
From Cagle' Cartoon Blog.
Here are some of Zapiro’s famous cartoons, including the famous rape scene. To view our collection of his cartoons, click here. You can also visit his Web site here.
Fans of American editorial cartoons might not be too familiar with brilliant cartoonist Jonathan Shapiro, who goes by the pen name “Zapiro.” He is the most famous cartoonist working in South Africa, and his hard-hitting cartoons have garnered the attention of the entire country, including its president Jacob Zuma.
Using a tactic often employed in oppressive regimes to crack down on freedom of the press, Zuma is currently suing Zapiro for five million rand (about $640,000) over his 2008 “Rape of Lady Justice” cartoon. The lawsuit is set for trial in the South Gauteng High Court on August 28.
I sat with Zapiro while attending this year’s Cartooning for Peace seminar in France, and we spoke about lawsuits, freedom of the press in South Africa and the origin of the famous showerhead that Zapiro always draws on top of Zuma’s head.
Using a tactic often employed in oppressive regimes to crack down on freedom of the press, Zuma is currently suing Zapiro for five million rand (about $640,000) over his 2008 “Rape of Lady Justice” cartoon. The lawsuit is set for trial in the South Gauteng High Court on August 28.
I sat with Zapiro while attending this year’s Cartooning for Peace seminar in France, and we spoke about lawsuits, freedom of the press in South Africa and the origin of the famous showerhead that Zapiro always draws on top of Zuma’s head.
Here are some of Zapiro’s famous cartoons, including the famous rape scene. To view our collection of his cartoons, click here. You can also visit his Web site here.
Sunday, April 22, 2012
Saturday, April 21, 2012
Wednesday, April 18, 2012
Richard Thompson paints a wiggly line,with help from friends
From Boing Boing.
By Glenn Fleishman at 5:22 am Tuesday, Apr 17
Cartoonist Richard Thompson's voice was quiet and reedy when we spoke, although the traces of his Virginia upbringing are clear. His voice sometimes gives out on him, he said, because of Parkinson's disease, a degenerative neuromuscular condition, with which he was diagnosed in 2009. I could understand him just fine when we spoke recently, but, as with so many aspects of his body's expression of Parkinson's, Thompson has just had to learn to work around it.
Monday, April 16, 2012
Matt Wuerker of Politico wins the Pulitzer Prize for editorial cartooning
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Sunday, April 15, 2012
Blown Covers of The New Yorker (2)
Françoise Mouly interviewed by Mark Urycki on WKSU, Kent State University.
Four years ago, the New Yorker magazine published a cover drawing of Barack and Michelle Obama as Muslim terrorists in the Oval Office. That cover set off a howl of protests across the country.
Politics of Fear by Barry Blitt |
Four years ago, the New Yorker magazine published a cover drawing of Barack and Michelle Obama as Muslim terrorists in the Oval Office. That cover set off a howl of protests across the country.
Last Wednesday evening at E.J. Thomas Hall in Akron, the art editor of the New Yorker showed some of the covers that the magazine did not make it to print. Françoise Mouly talks about her new book, “Blown Covers.”
Saturday, April 14, 2012
New Yorker Cartoonist R.O. Blechman
From an interview with Jeet Heer from "The Comics Journal"
Dapper and compact, soft-spoken and full of erudite conversation, R.O. Blechman is the single most cosmopolitan cartoonist I’ve ever met. He could easily be a character in a Henry James novel.
Photo from Saybrook Production |
Dapper and compact, soft-spoken and full of erudite conversation, R.O. Blechman is the single most cosmopolitan cartoonist I’ve ever met. He could easily be a character in a Henry James novel.
Appropriately enough, his art owes a debt to that mid-century mansion of metropolitan wit, Harold Ross’ New Yorker, where James Thurber and William Steig returned cartoons to their roots in doodling.
Blechman’s scraggly-lined people, so minimal that they are barely visible, show what happens when the tradition of Thurber and Steig is taken to its extreme. All excess is removed and every drop of ink counts.
Thursday, April 12, 2012
I Wish I'd Drawn...(17)
...today's Gable cartoon in The Globe & Mail:
and, for that matter, Côté's cartoon in Quebec City's Le Soleil:
and, for that matter, Côté's cartoon in Quebec City's Le Soleil:
Tuesday, April 10, 2012
Friday, April 6, 2012
Thursday, April 5, 2012
The iPolitics Cartoons Gallery
Surprised to discover that one of my cartoon is used to announce iPolitics' Cartoon Gallery.
Here is the actual cartoon:
Here is the actual cartoon:
Wednesday, April 4, 2012
Poster of the Week
Still Waiting for Justice, Hunter Langston, Digital 2012, Detroit, Michigan |
The complete article from Center for the Study of Political Graphics' blog: