Last January, the French graphic artists Aurélie Pollet and Michael Prigent, living in Paris and “entourés d’artistes,” invited illustrators to envision the Gallic capital. Under the imprimatur of their association, La Lettre P, they gave them, Prigent told me last week, “a carte blanche to express with the greatest possible force their vision of Paris in an image”—all this “with the covers of The New Yorker in mind.” In implicit homage, Pollet continued, “we wanted to imagine the covers of an imaginary magazine: The Parisianer.”
A woman and her husband are seated at a table. As she talks, he seems to be ignoring her, his head hidden behind a newspaper.
“At least Obama is listening to me,” she says.
This is just one satirical reference to the ongoing international surveillance scandal, in a book published earlier this month by the French-based group Reporters Without Borders, which works to protect freedom of expression and of information.
The brilliance of Norman Rockwell's painting Saying Grace has always been in plain view for anyone of good will and good taste to appreciate, but since it sold at Sotheby's last week for $46 million, art critics are finally able to appreciate it as well.
A political cartoon criticizing the United Nations’ handling of Syria, drawn by Augusta Chronicle cartoonist Rick McKee, won first place in the international organization’s annual awards.