The work involved creating a 2K digital version of the film acquired by the Cinémathèque québécoise (and stored at Library and Archives Canada) and removing the intertitles and live-action prologue. The first stage (cleaning and colour correction) was done by Eloi Champagne and Sylvie Marie Fortier at the NFB.
The missing drawings (about 200, including the encore scene) were then created by hand by animator Luc Chamberland, who tried to reproduce McCay’s sense of style and motion, to restore the fluid movement seen in the original.
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