Twenty-five years ago, six semi-trucks arrived at The Ohio State University. They contained the world’s most comprehensive collection of newspaper comic strips and cartoons, totaling 75 tons of material.
Bill Blackbeard, a comics historian and collector, had amassed this vast and unparalleled collection in his San Francisco home starting in 1967.
Libraries around the world had begun discarding their bound volumes of newspapers and replacing them with microfilmed versions in the mid-1900s, asserting that newsprint was too bulky and prone to deterioration to retain.
Libraries around the world had begun discarding their bound volumes of newspapers and replacing them with microfilmed versions in the mid-1900s, asserting that newsprint was too bulky and prone to deterioration to retain.
Realizing the limitations of black and white microfilm for preserving our cultural heritage, Blackbeard founded a non-profit called the San Francisco Academy of Comic Art in order to collect discarded newspapers from libraries around the country and to save the comics and illustrations they contained.
These invaluable historical documents provide a unique view of popular graphic art at the start of the 20th century, when illustrated newspaper pages and comic strips were at the heart of visual culture and communication.
These invaluable historical documents provide a unique view of popular graphic art at the start of the 20th century, when illustrated newspaper pages and comic strips were at the heart of visual culture and communication.
Pre-dating radio, cinema and television, the impact of the daily newspaper as a tool for information and entertainment cannot be overstated, and the cartoonists whose imagery and ideas filled the pages entered the homes of millions of Americans.
Art Spiegelman, Pulitzer prize-winning creator of Maus, called the collection “the most important endangered archive left on our planet since the destruction of the Royal Library of Alexandria.”
Obscure and forgotten cartoonists are celebrated alongside the canon works of comic strip history, such as Polly and Her Pals, Flash Gordon, Alley Oop, and Gasoline Alley.
Artists featured include George Herriman, Tad Dorgan, Rose O’Neill, Johnny Gruelle, Elsie Robinson, and countless more.
The exhibit also features subsets of Blackbeard’s collecting vision, including penny dreadfuls, science fiction fanzines, pulp magazines such as Weird Tales, dime novels and illustrated story papers.
Blackbeard’s heroic efforts to rescue and preserve this material are celebrated in this exhibition, which also features an exploration of the process for printing turn-of-the-century newspapers.
Blackbeard’s heroic efforts to rescue and preserve this material are celebrated in this exhibition, which also features an exploration of the process for printing turn-of-the-century newspapers.
Molds known as “flongs,” metal plates, archival video clips from printing plants and additional artifacts will be on display.
This exhibit is curated by Ann Lennon and Caitlin McGurk.
This exhibit is curated by Ann Lennon and Caitlin McGurk.
The Art of the News: Comics Journalism is also on view in the galleries starting November 12.
MAN SAVES COMICS! Bill Blackbeard’s Treasure of 20th Century Newspapers
November 12, 2022 – May 7, 2023
The Billy Ireland Cartoon Library & Museum
Sullivant Hall Building (North Entrance)The Billy Ireland Cartoon Library & Museum
1813 N. High St
Columbus, OH 43210
t 614.292.0538
f 614.292.9101
cartoons@osu.edu
Admission is free
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Read also: "Man Saves Comics!"
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